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HATM371 Bachelor Hospitality And Tourism Management

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HATM371 Bachelor Hospitality And Tourism Management

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Course Code: HATM371
University: Cape Breton University

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Country: Canada

Question:

“This book tells the story of the art of cinema. It narrates the history of a medium which began as a photographic, largely silent, shadowy novelty and became a digital, multi-billion dollar global business.”
1.Provide the first author’s last name (that’s listed first in this source) followed by et al. or list all the last names in a parenthetical citation at the end of the quoted material below from page 62 in the following source: Film History: An Introduction, 3rd edition, written by Kristin Thompson and David Bordwell, published by McGraw Hill Higher Education in 2010, in print.
“Intolerance was not as successful as The Birth of a Nation, and Griffith’s subsequent features of the 1910s were less experimental.”
2.Provide a parenthetical citation for a block quote from page 435 in the following source: Ch. 5, “Film Theory: Form and Function” in How to Read a Film: Movies, Media, and Beyond, 4th edition, written by James Monaco, published by Oxford University Press in 2009, print.
How to Read a Film describes several dichotomies that exist within the discourse of film theory:
When quoting paragraphs in MLA style, you may need to omit entire sentences. If the omission begins at the end of a sentence, simply include the ellipsis in addition to the closing punctuation of the previous sentence:

Answer:

Directions: Apply the MLA format for the “Works Cited” page for the following sources. Use the MLA format handout and the Purdue OWL website to answer the questions.

For the following book by one author, you will need to list the information in the correct order for the MLA format.

Author: Richard Neupert

Publisher: University of Wisconsin Press

Book Title: A History of the French New Wave Cinema

City of Publication: Madison, Wisconsin

Edition: Second

Date of Publication: 2007

Medium of Publication: Print

 

Citation: Neupert, Richard. A history of the French new wave cinema. Univ of Wisconsin Press, 2007.

For the following example of a work in an journal, you will need to list the information in the correct order for the MLA format.

Author: Michael Rogin

Title of Journal: Critical Inquiry

Article Title: The Great Mother Domesticated: Sexual Difference and Sexual Indifference in D. W. Griffith’s “Intolerance”

Volume: 15
No. 3
Spring 1989

Publisher: The University of Chicago Press

Page range: 510-555

Medium of Publication: Print

 

For the following online source, you will need to list the information in the correct order for the MLA format.

Author: Bérénice Reynaud

Domain: Senses of Cinema

Title of Website: AFM/AFI FEST 2017: Magic Women, Haptic Men

Publication date: March 2018
 

Publisher: The University of Chicago Press

Date of Access: June 3, 2018

 

Medium of Publication: Web

For the following film, you will need to list the information in the correct order for the MLA format.

Director: D.W. Griffith

Date of Distribution: 1916

Title of Film: Intolerance: Love’s Struggle Throughout the Ages

Medium: Film

Distribution company: Triangle Distributing Corporation

 

Citation: Griffith, D.W. Intolerance: Love’s Struggle Throughout the Ages. 1916.
PART III: PARAPHRASING
Directions: Paraphrase (summarize in your own words, picking out the key points) of each of the following passages. Try not to look back at the original passage and remember to cite the source in the MLA format for each one.

How to Read a Film: Movies, Media, and Beyond, 4th edition, written by James Monaco, published by Oxford University Press in 2009, print, page 439

Lindsay suggests that the audience interact during silent movies, instead of listening to music. Nobody thought about the proposal seriously. In case it was taken seriously more films would be developed much earlier which were interactional and communal. The third-world films (and the films of Godard) are the first news for directors and spectators despite shootings. In short, the passionate lover of the poet and film, Vachel Lindsay, saw various truths that he did not understand.

“Modern Times” by Jeffrey Vance, published by the Library of Congress (website), publication date (?), date of access 3 June 2018,https://www.loc.gov/programs/static/national-film-preservation-board/documents/modern_times.pdf

The rise of modernity is based on Chaplin’s “City Lights” of the 16th century (1931) after its premiere. Along the way he saw the economic and political consequences of the great depression and met the most influential thinkers of the time of Winston Churchill, Bernard Shaw, Albert Einstein and Mahatma Gandhi. This trip was a modern moment. When he returned to the United States, Chaplin got the idea of a movie when he heard about talented youngsters in Detroit Mills, but a couple of years later the assembly line became a nerve breakthrough. Comedy has become a difficult issue today, striking, solving, unemployment, poverty and tyranny in automation.

“I have called the cinema that precedes the dominance of narrative (and this period lasts for nearly a decade, until 1903 or 1904) The cinema of attractions. The aesthetic of attraction addresses the audience directly, sometimes, as in these early train films, exaggerating this confrontation in an experience of assault. Rather than being an involvement with narrative action or empathy with character psychology, the cinema of attractions solicits a highly conscious awareness of the film image engaging with the viewer’s curiosity. The spectator does not get lost in a fictional world and its drama, but remains aware of the act of looking, the excitement of curiosity and its fulfillment.””An Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator” by Tom Gunning, found within anthology Viewing Positions: Ways of Seeing Film, edited by Linda Williams, published by Rutgers University Press, copyright 1995, page 121

I called the movie, the cinemas of attractions, to begin the management of history (it was only 1903 until 1904 for nearly a decade). Aesthetics is directed directly to the audience, so sometimes old photos. The culmination of a movie does not make a story or want a psychological figure that serves the public interest. The actor has disappeared in a dramatic fictional world, but is still conscious and curious about performance.

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