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ARTH200 Art Appreciation

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ARTH200 Art Appreciation

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Course Code: ARTH200
University: American Public University System

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Country: United States

Question
Choose 6 from among the following 10 choices:
1. Just as a good cook assembles the ingredients for a delicious recipe, an artist assembles the right elements for a successful artwork. Choose a work of art from chapter 3, and make a recipe of the composition. For examples, Marc Chagall’s I and The Village contains implied lines, organic shapes, complementary color and shallow space.(make sure its like a recipe like bun,lettuce,meat,bun again like that but applied above as artwork.
 
2. Often an artist uses a particular design or “formula” over and over, and that becomes part of his or her unique style. Choose two artworks by one artist, and discuss which design strategies are consistent throughout the work. ( no conceptual art)
 
3. The four steps involved in formal art criticism: description, analysis, interpretation and judgment, which are basic skills involved in any logical though process.
Does a published art critic influence the significance of an artist’s work? Does a museum visitor have any influence? How is the critical evaluation of a work of art similar to and different from evaluating a film or a restaurant?
Have you ever changed behavior or style of dress due to criticism by friends or family?
Do you think artists change their work to please their critics?
4. Write a paragraph to answer the following question:
How is architecture both a science and an art? Cite examples of architectural innovations from the text.
Identify one architectural problem on our campus, here in Lake Worth. Then, describe a design that would alleviate the problem, being as specific as possible about the problem and solution.
5. Discuss the similarities and differences between ziggurats and pyramids in appearance.
Were they used in the same way or did each serve a different function.
6. Compare and contrast the Greek Parthenon with the Roman Pantheon.
Discuss differences in appearance and function and location. How did each building reflect the values of the society which created them?
7. Discuss the architectural contributions of the Romans. Explain how the perfection of the arch and the unique use of concrete contributed to the Roman mastery of Europe.
 
8. Discuss the dominance of landscape as subject matter in response to the Industrial Revolution.
Look at the works of English artists Constable and Turner, and American artists such as Cole and the Hudson River School to frame your answer.
How did these artists act as early environmental activists?
9. Consider the life and work of Berthe Morisot, Mary Cassatt, or Camille Claudel.
Write an essay discussing how her work fit within the artistic movements of the time.
How did gender impede or enhance their artistic careers?
10. The works of Ellsworth Kelly, Frank Stella, and Don Judd, are considered non-representational.
What is your response is to an artwork without representation, storytelling, or personal feeling.
Can shapes and colors evoke emotion and interpretation?
11. How did the art of early-twentieth-century artist Marcel Duchamp influence Conceptual art?
Compare Duchamp’s Bicycle Wheel or Fountain to the work of Hans Kosuth in One and Three Chairs.
What comparisons that can be made between Dada and Conceptual art?

Answer

Hunter Kruse
It was not uncommon for artists in Monet’s time to experiment with technique, style and perspectives, but what Monet heralded in the name of Impressionism was to inspire a plethora of painters from different schools and ages. His paintings, that initially seemed impromptu were actually products of intricate studying of the object meditative planning of techniques. The works, therefore had a recurrent pattern as he developed a unique style of painting with some exclusive design strategies he employed for giving an outlet to his emotions.
Two of his works can be cited for elaborating on the similarity of his technique; The House of the Parliament, and Sunset in Venice. Monet followed his artistic impulse in observing the same and similar subjects in different times of the day. A master of colors, Monet has presented both the paintings as a fine rendering of light and atmosphere. The abstraction is deliberate, the merging of colors and boundaries characteristic of the Impressionist style. What he intends to capture is not the physicality of the subject, but the transitory nature of time and nature, and the effects it has on the subject. The extra details and emphasis on reflection is an interesting aspect to consider in this context. The time is possibly dusk, the river is calm and Monet uses light brush strokes and dark colors to inform the mood. Characteristically, he leaves the onlookers with an impression of things, blurring the physical outlines of the subjects and letting the colors overlap for a visual impression that is aesthetically appealing in its own right.
Bibliography:
Berrong, Richard M. Putting Monet and Rembrandt into Words: Pierre Loti’s Recreation and Theorization of Claude Monet’s Impressionism and Rembrandt’s Landscapes in Literature. University of North Carolina Press, 2014.
Salevati, Sara, and Steve DiPaola. “Enhancing Viewer’s Emotional Connections to the Traditional Art Creative Process via an AI Interactive System.” International Conference on Electronic Imaging & the Visual Arts (EVA 2015). 2015.

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